Imprint

A services provider pursuant to § 5 of the Telemedia Act of Germany (Telemediengesetz, MG):

bayern design GmbH represented by its Managing Director, Nadine Vicentini, Luitpoldstr. 3, 90402 Nuremberg, Germany
P: +49 (0) 911 24022-30, F: +49 (0) 911 24022-39  kontakt @ bayern-design.de

Entered in the trade register for Nuremberg at the Nuremberg Register Court under number 18616
VAT ID in accordance with § 27 a of the VAT Act of Germany (Umsatzsteuergesetz): DE218590730
Business ID in accordance with § 139 c of the Tax Code of Germany (Abgabenordnung): 241/122/11671
Responsible for the contents of this website in accordance with § 55 clause 2 of the Federal Broadcasting Treaty (Rundfunkstaatsvertrag): Nadine Vicentini, Managing Director

Brand and Type

The word and figurative brand MCBW was developed by KOCHAN & PARTNER, Munich.
The Slate Pro is the house font of the MCBW and is distributed by Monotype.
The key visual of the MCBW 2022 was developed by Anette Lenz in cooperation with Kochan & Partner. Lektorat is used as font, distributed by TypeTogether.

Webseite

Concept, design and development of partner-dashboards and website by Saint Elmo's, Munich.

Picture credits

Magazine Reviews MCBW Creative Book 2021: Page 12 Nikolai Marcinowski – pages 32 - 37 Raphael Gielgen, Markus Altmann – pages 38 - 42 BMW Group/Designworks, Dominik Parzinger, Jurga Graf, Fadi Zain – pages 45 - 48 Dominik Parzinger –pages 55/56 Norman Posselt (normanposselt.com), picture alliance / ASSOCIATED PRESS – pages 58 - 62 Kusch+Co – pages 78 - 81 Dominik Parzinger – pages 104 - 108 Dominik Parzinger, wtf und Utopolis: Nemetschek Stiftung, neuland: Sven Moschitz, Mystery exhibition: Kay Herschelmann – pages 111/112 Regina Recht – pages 121 - 125 Dominik Parzinger, Paola Antonelli: Vincent Tullo – page 141 Markus Löffelhardt – pages 142 - 146 Dominik Parzinger, project pictures: project:syntropy GmbH

Reviews MCBW MAG 2022: p. 1 bayern design/LÉROT; p. 4 Michael Nagy/Presseamt, Radmila Kerl, Anna Seibel; p. 5 Remi Dargegen, pp. 6 – 9 Tom Hegen; p. 11 bayern design/Anna Seibel; p. 12 GettyImages, p. 13 taranchic/iStock. com, p. 17 Patrizia Hamm; pp. 24 – 27 Alberto Venzago; p. 34 Artek.fi; p. 35 alvaraalto.fi/Courtesy of the Department of Special Collections, Stanford University Libraries/Herbert Matter Papers; p. 37 Oliver Tjaden; p. 39 Emily Morter/Unsplash; p. 43 Elisa Calabrese; p. 51 Chris Müller/www.eyeamchris.com; p. 54 Timm Rautert, Otl Aicher, Gabriele Pée; p. 56 BSB/Bildarchiv/ Karsten de Riese; p. 57 Alamy; pp. 59 – 60 Pavlo Kochan; p. 70 Peter Neusser; p. 71 Pavlo Kochan; pp. 73 – 75 Peter Neusser; p. 77 Mir AS; p. 80 Achim Graf/RoSana; p. 81 Klasse KLIMA; p. 83 Joerg Stanzick; p. 84 BECKER LACOUR – Olaf Becker; p. 88 Tomas Engel; p. 90 CWS International GmbH; pp. 92 – 93 Pavlo Kochan; p. 94 CWS International GmbH; p. 97 Massimiliano Sticca; pp. 98 – 99 Oliver Jaist; p. 99 Marius Rohne; p. 102 Starship Technologies; p. 105 Luc Schraauwers, CLICKNL; p. 106 Space&Matter; p. 110 Gerhard Berger; p. 114 Reza Rostampisheh/Unsplash; p. 116 Sima Dehgani; p. 117 Tamas Tuzes – Katai/Unsplash; p. 118 Fernando Hernandez/Unsplash; p. 126 Annette Sandner; p. 129 Alamy; p. 134 Yuli Meroz; p. 135 Gmund Paper